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Thoughts From The Back Of The Room

Tag Archives: songwriting

Shaken and Stirred

12 Saturday Dec 2020

Posted by Michael Calderwood in Home, music, Treasured Finds, Words matter

≈ 5 Comments

Tags

Angela Ghorghiu, Bruce Springsteen, Emmylou Harris, Family, Home, Memory, music, Original Son, Puccini, Remembering, songwriting, storytelling, Vissi d'arte, Warren Zevon

Oh, Danny Boy

As a young child, upon hearing the song “Danny Boy” I would almost immediately devolve into a sobbing, tearful, emotional mess. Perhaps it was the way it was sung, often by my mother and a host of Irish relatives, some immigrant, some first generation. I hadn’t been alive long enough to understand the connection between music, lyric, and story. I just felt the melancholy, hope, and fatalism of the song. I was an old soul in a young body.

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A lot has changed in the sixty or so years since my small boy heart cracked and shook to that particular song, but the visceral response to a powerful lyric still stops me in the same way.

Sunday Playlist

On a recent Sunday morning, I was in the kitchen going through my customary breakfast-making, waiting for Jan to return from her socially distanced church service. I was in a reflective mood, asking Alexa to play a series of songs that popped into my head, and as often happens, one led to another. I noticed my playlist featured three songs that, in some way, brought me back to Danny Boy boulevard.

Each song spoke in an intimate, conversational style, artfully using short, powerful lines that put the listener in the same place as the writer.

Within each of these stories live short verses that are stunning in their simplicity and emotional depth.

Warren Zevon

“Keep Me In Your Heart For A While” is the last song on Warren Zevon’s final album “The Wind,” written and recorded as he was losing his battle with cancer. It is a gentle call for remembrance, and a bit of a promise that his spirit will remain part of the woman he loved. These lines get me every time.

Sometimes when you’re doing simple things around the house

Maybe you’ll think of me and smile

You know I’m tied to you like the buttons on your blouse

Keep me in your heart for a while

Warren Zevon and friends perform Keep Me In Your Heart For A While

Emmylou Harris

“Red Dirt Girl” is a heartbreaking story wrapped in a gorgeous sonic bed of guitars, bass, percussion, and atmospheric production, channeled through Emmylou’s otherworldly voice. It tells the story of a girl named Lillian, delivered by her best friend. Lillian’s life was not easy or joyful, and the tragedy of it all was not her death, but the life she endured. The short bridge contains Lillian’s truth.

One thing they don’t tell you about the blues

When you got ’em

You keep on fallin’ ’cause there ain’t no bottom

There ain’t no end at least not for Lillian

Emmylou Harris performs Red Dirt Girl

Bruce Springsteen

“Moonlight Motel” from Bruce Springsteen’s Western Stars album, gives me Danny Boy level shivers. It is a complex emotional recipe of loss, remembrance, wistfulness, and acceptance. His description of the fading motel drew such a vivid picture that I was right there, standing next to the storyteller, seeing what time and life had done to a cherished and sacred place.

Now the pool’s filled with empty, eight-foot deep

Got dandelions growin’ up through the cracks in the concrete

Chain-link fence half-rusted away

Got a sign says “Children be careful how you play”

Bruce Springsteen performs Moonlight Motel

Bonus Cut – Puccini

It is opera. It is in Italian. I don’t speak Italian. It doesn’t matter. The passion, the lush orchestrations. The angst of Tosca channeled by the great Angela Gheorghiu. This one endures.

In the hour of pain,
Nell’ora del dolore,

Why, why, Lord,
Perché, perché, Signore,

Ah, why do you pay me so?
Ah, perché me ne rimuneri così?

Angela Gheorghiu as Tosca sings Vissi d’arte

And One For The Road

I am eagerly awaiting the release of “Hymn For The Underground” from my son John’s band Original Son. He continues to amaze me with his insightful, defiant, and powerful lyrics. I call this one a Punk Rock Pep Talk that acknowledges and encourages the everyday people who “make the gears turn.” It is glorious!

You’re not replaceable

And they can’t walk on water

We are the ones who make the gears turn…

You are glorious.

Hymm For The Underground – Original Son

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Grace Notes

24 Saturday Aug 2019

Posted by Michael Calderwood in Communicating, Community Involvement, Living Our Values, music, Social Responsibility, Words matter

≈ 1 Comment

Tags

aging, Bruce Springsteen, Home, Memory, music, songwriting, storytelling

Contrast and compare – that’s one very good way to track an artist as he or she progresses through their life. Do they grow, or do they stay rooted in place and style? Are they true to their muse, or do they bend with the fashion of the day? Does the work resonate years and decades later? Does it make you feel as much at age 60 as it did at age 30?

Bruce

Bruce Springsteen has been a constant in my adult life. From the first earth-shattering concert I attended at the Nassau Coliseum on Long Island, way back in 197something I knew that he and the E Street Band were quite simply great. Over the years I’ve had the good fortune to see them in concert, and every show was just magic. Jan and I saw them in Connecticut shortly before we moved west, and I got to see them from a corporate box at Madison Square Garden with some colleagues and clients. I was struck by how many in my group were like me – respectable older guys by day, rock and roll animals and Bruce fanatics by night. We knew every lyric, every lick, and every story. We also had some first-timers with us. I sat next to Kim, a young marketing manager who I had been informally mentoring as she moved through her career. She was not familiar with the music, so I tried to give her some history and perspective. After a short while it became totally unnecessary. “I get it,” she said. Another fan is born.

Fearless

Bruce Springsteen the songwriter is pretty fearless. He has written about everything from youthful love, lust and longing (Rosalita, Sandy, Incident on 57th Street…) He invents characters, gives them a story, colors them with emotion and confusion, and lays out the path to success or failure.

He takes on social issues, using his gifted ability to again create and infuse characters to make his points. His Oscar-winning “Streets of Philadelphia” gives voice to the AIDS epidemic. Born In The USA – often misappropriated as a flag-waving anthem, really gets down to the grit and pain of a veteran returning to a fading American Dream. The raucous version of the single, or the dark of the night solo version on an open-tuned 12 string slide guitar – same song, different shades of dark. “The Ghost Of Tom Joad” – “Sinaloa Cowboys,” “ Youngstown” – American Storytelling at its finest.

Faith and Hope

Bruce has penned many songs that touch on faith and hope. They seem to send a message of determination built on shaky confidence in himself, and in the rest of us too. Better Days. Land of Hopes and Dreams. My City of Ruins.

My favorite has always been Thunder Road. From the first time the needle hit the vinyl of the Born To Run record (kids, ask your parents to explain) I was struck still. I can’t think of a better, more descriptive, cinematic opening verse. Piano and harmonica.

The screen door slams

Mary’s dress sways

Like a vision she dances across the porch as the radio plays

Roy Orbison singing for the lonely

Hey, that’s me and I want you only

Don’t turn me home again, I just can’t face myself alone again…

Thunder Road has aged as Bruce and the band has aged. The finest version I have found is from the Live In Barcelona concert from 2002. It is so in the pocket, so mature, so beautifully played that it makes me a bit teary-eyed. A hopeful, almost desperate instrumental theme takes over the piece when the lyrics end. Building through the voice of the guitars, no flash, no frills, deliberate and plainly voiced. Then the immortal Clarence Clemons steps forward and sends it to the heavens, and you feel like maybe it will all work out for the characters.

(Bonus love for the audience sing-along, where they go rapidly out of time, drawing a slight head tilt and smile from bassist Gary Tallent, followed by a grin from Bruce as he brings everyone back into time (1:13 in the video.)

Thunder Road Live In Barcelona

Love Songs

And then, there are these two songs, written decades apart. The first one – “Tougher Than The Rest” captures the feeling of love, lust, semi-hollow bravado, and a longing for connection, wrapped up and presented in a slow, low and controlled delivery, Telecaster played down the neck, basic chords, lots of Fender-y tremolo and reverb with enough twang to be country and enough growl to be punk and enough sexual tension to be … . This is a guy blustering his way into a relationship! This song has been covered by a lot of people, including Emmylou Harris and Travis Tritt. All great, but I still favor Bruce’s original.

Here’s a video of Bruce and company (including his now – wife Patti Scialfa on the duet.)

Tougher Than The Rest

Now, fast forward 30 years or so. A lot of living, and a lot of years with that woman he sang with in the first video. Kids, massive success, and accolades. And lots of causes supported. Lots of songs, lots of collaborations and lots of shows. And lots of love.

I think of this one as a love song for grownups. The arrangement is a bit of a mess, perhaps missing the mark in an attempt to sound “older”. I don’t know and I don’t care, because this song makes me tear up just about every time. Probably because it reflects how I feel about my love, our relationship and our life so far.

And I count my blessings and you’re mine for always

we laugh beneath the covers and count the wrinkles and the greys

Sing away, sing away, sing away sing away

Sing away, sing away, my darling we’ll sing away.

This is our Kingdom of Days.

This is our Kingdom of Days.

KINGDOM OF DAYS

Damnit, it got me again!

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