For a person with minimal photography skills, I take a lot of pictures. Most will fall into the “so what?” category, filled with poorly framed generic shots of trees, clouds, people, the occasional animal, and shorelines that could be anywhere along the Central Coast of California. They will have little meaning to anyone other than myself. But still I snap away, not for any great artistic reason, nor as gathered testimony to a historical event of a searing moment. I do it to trigger my memory, tomorrow, next year, or whenever. I recently came across a series of pictures I took a few weeks before my wife and I began our transition from east coast to west.
Over the years, we made day trips up the road to the Kent Falls area, a short drive from home. The Morrison Gallery was a favorite place to spend an hour or two, wandering the spacious, serene, and thoughtful spaces that homed fine art, contemporary painting, and sculpture. On this particular visit The Gallery featured playfully sculptured ravens hanging out on different pieces of discarded items, including old cans. For some reason, these pieces resonated with us. As we moved about the space, other, much larger sculptures, including life-sized pair of mountain lions and, outside in the garden, massive elephants drew us in . Many of the pieces, by artist Peter Woytuk, had been part of an installation around Manhattan.
I snapped away with my trusty cell, not holding out much hope that I would capture anything worthy of wall space in this, or any, art gallery. I remember the day, the feel of the wood floor under my feet, the room’s scent, and the colors and shapes of the art. I can retrace the route around the main hall, the small alcoves and rooms off to the side, and the never-failing streams of natural light shining in service of the artist’s vision. And I remember turning to speak with my wife and stopping, stilled by her beauty, equal to any display. She paid me no mind, her focus instead on the literature accompanying the exhibit.
Art and Craft
As weak as I am with a camera, I am equally good at being captured by the work of three artists who possess the eye, the soul, and the skills that force my heart to open and transport me to a place I may have never been, but through the grace of the artist, can easily imagine. I may not have stood where they stood or followed whatever spiritual beam led them to the perfect picture, but their art moves me personally.
I have sought and received permission to share a few examples of their work, and note the images here belong to them. As with all creatives, what appears in final form begins much differently. Art meets craft, imagination meets technique, and time, time, time is spent making what we get to see. Please enjoy the art, and respect the artists.
Nigel Paul represents a natural blend of Art and Craft. Nigel has an impressive history as a concert audio engineer, working with a roster of top-tier progressive rock musicians who compose and perform complex technical pieces, with virtuosos filling each position within the group. The audio engineer’s job is to translate the complexities into a clear output that delivers the breadth and depth of the artist’s composition and performance. Doing it well requires incredible technical skill, next-level focus, and a creative, musical mind that translates it all into the performance the audience hears.
Nigel’s photography reflects all of those characteristics. The detail he captures in his wildlife pictures is stunning. The feathered breast of the burrowing owl, the life in the eyes of the weasel, the complete intensity in the bobcat’s posture and glare – they are life. Imagine the time and patience it takes to find the spots where these animals live, then the stealth and skill needed to stop, wait, and carefully bring the camera to bear on creatures that are not likely to stand still for too long.
When I look at his collection, currently featured as part of San Luis Obispo County’s Cambria Public Library, I see the beauty and mystery of life in this part of California. His backgrounds and colors are reflective of the environment. I can smell the sage, hear the rustle of the dried grass, and in the distance, the faint roll of waves rushing around the shore.
In addition to his wildlife photos, Nigel is passionate about classic and unusual automobiles, as seen in the picture below. Please visit Nigel Paul Photography and enjoy his galleries.
Click the images below for a larger view. Images ©Nigel Paul
When I need a New England fix, I look to Debbie Gracy’s photographs to fill my heart with beautiful, classic, and unique images. From her home base in Hollis, New Hampshire, Debbie sets out across the northeast’s back roads and byways, capturing uniquely American landscapes that bring me back home.
I have been blessed to know Debbie and her amazing family for twenty years and have been an eager observer of her development as an artist. I proudly feature four of her pieces in my home, including a pair of winter scenes, heavy wooden gates half buried in snow, either opened or closed. They are the first images I see as I enter the front door. Down a short flight of stairs hang two more of her photographs; happy sunflowers against a brilliant blue sky.
Through her images, I feel the chill of Autumn and the scents of Spring. The grass, the trees, and the vast skies look, feel and smell completely different from California. Debbie seems to stand a step or two aside, giving her work a barely-noticeable offset perspective. Her work radiates wonder, happiness, curiosity, and always beauty. Which also describes Debbie’s artistic soul.
Treat yourself to the vast landscape of Debbie’s photographs at the Debbie Gracy Collection
Click Images below for a larger view ©Debbie Gracy
Maureen Calderwood Wiltsee
I have known Maureen since I was zero. My sister has a passion for photography, building a cache of images that feature brilliant seascapes and coastal hideaways from her beloved vacation retreat on Cape Cod. I love the way she captures the light that blankets the scenes below. Always a line of color and a sense of connection to the sea.
Maureen has been a fixture among the community of photographers and visual artists that live in the Northern New Jersey/New York corridor, displaying and winning awards for her striking images. Every year, brothers and sisters would drive to a small New Jersey town to see her work standing tall amidst an impressive gallery of visual artists.
“The Peacock” featured below hangs in my home, cased in a classic white frame that keeps the focus on the subject. It causes people to stop and wonder at the depth and detail captured by the lens, an extension of the eye and artist heart of the photographer.
Click images below for a larger view. ©Maureen Calderwood Wiltsee
Thank you to Nigel, Debbie, and Maureen for allowing me to feature your beautiful pictures. And thanks to all the others who capture moments and memories, whether by luck, determination, or good fortune. The world is a beautiful place indeed.